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So I Am Glad: A Novel, by A. L. Kennedy
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The ferociously talented author of Original Bliss and On Bullfighting offers this haunting tale of two forlorn people who find in each other a hope and love as genuine and original as this marvelous book in which they come to life.
M. Jennifer Wilson is a mid-thirties radio announcer living in Glasgow. She shares a house with Art and Liz, two typical Scotland thirtysomethings, but her life takes a drastic turn with the arrival of her new housemate, an elusive man who glows in the dark and can't remember his name. He soon reveals himself to be none other than Savinien Cyrano de Bergerac, the famed writer and duelist of eighteenth-century France, and what unfolds is a love story stark and surreal, tender and humane.
- Sales Rank: #3574497 in Books
- Published on: 2001-10-09
- Released on: 2001-10-09
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.50" l, .80 pounds
- Binding: Paperback
- 288 pages
- ISBN13: 9780375707247
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
There is no other word to describe what A.L. Kennedy does with her fiction than alchemy. How else to explain a novel like Original Bliss, which combined the basest of materials--an abused and depressed Glasgow housewife and a pornography-addicted professor--and conjured up literary gold? In So I Am Glad Kennedy does it again, rendering a remarkable love story out of two characters who, on the face of it, are not terribly lovable. Jennifer, for example, is a young woman who lacks what most people have: "whole hordes of feelings, all barrelling round inside them like tireless moles." As I write this, I can see extremely clearly that nothing terribly bad has ever happened to me. I can't recall a single moment of damage that could have turned me out to be who I am today. I can dig down as deep as there is to dig inside me and there truly is nothing there, not a squeak. For no good reason, no reason at all, I am empty. I don't have any moles. Jennifer, however, turns out to be a less than reliable narrator when it comes to the facts of her own life. Her parents, for example, had the damaging hobby of making her watch them have sex when she was a child. And now she has a few sexual quirks of her own, chief among them a taste for inflicting pain on her partners. If Jennifer is hardly the stuff of romantic fiction, neither is the man who drops suddenly and quite literally into her life: Martin, a sweating, frightened amnesiac who eventually claims he is Savinien Cyrano de Bergerac.
From this rather outlandish premise, Kennedy builds an intricate tale of mad love, bad love--and in the end, the love that heals all wounds. Is Savinien insane? A ghost? The literal resurrection of a long-dead French writer? Not even he seems to know for sure. As for why he's here now: "I must have been a catastrophe--He made me come back." And certainly Savinien has as many bad qualities as Jennifer--a killer in his past life, a drug addict in this one. And yet only in each other can these two damaged people find their salvation. What makes this story work is Kennedy's quirky humor and stunning prose style combined with a wholly original point of view. She can be every bit as tough as fellow Scottish writers Irvine Welsh or Duncan McLean, but she has a surprising tenderness, as well, investing even the most brutal moments with humanity and a frisson of wonder. --Alix Wilber
From Publishers Weekly
The mordantAnot to say morbidAhumor and predilection for cold-bath shock that distinguished Kennedy's first novel published in this country, Original Bliss, mark her even stranger and more ambitious second foray as well. The narrator and protagonist of this story, set in Scotland in 1993, is 35-year-old radio announcer Mercy Jennifer Wilson. She uses the name Jennifer, perhaps because her taste for ruthless, highly choreographed s&m makes Mercy a misnomer. Jennifer wakes up one morning in the house she shares with three roommatesAArthur, a disaffected pastry chef; elusive Liz, ("who has developed being absent into her principal character trait"); and Peter, a do-good crusader to the Balkan statesAand meets Martin, the man Peter has found to rent his room while he's in Romania. Or at least she assumes the rumpled, ill-looking man with no memory and a faint electric sheen to his sweat and spit is Martin. As it turns out, however, "Martin" is Savinien de Cyrano de Bergerac, reincarnated after several hundred years in Purgatory, and Jennifer falls in love with him. There are some inconveniences: Savinien is often weak, always proud, tends to go missing and believes fervently in dueling to the death with anyone who dishonors him. Jennifer's most prominent characteristic, she claims at the outset, is her calmness: "I am not good at emotional payoffs. I am not emotional." She responds with equanimity to the weirdness that has entered her life, and it is her cool account of the wildly improbable that makes this novel so arresting. Kennedy's deadpan ironyAher dialogues, in particular, have a noirish sitcom feelAand her beautiful, translucent descriptive passages project a dreamlike aura over what is finally, despite its narrator's protestations, a moving story. (Jan.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Kennedy, a young Scottish author, has crafted a strange, improbable love story, but her strong narrative voice manages to keep the bizarre story line aloft. Although Jennifer, the novel's protagonist, maintains a warmly humorous and insightful running commentary, she claims to be a cold, passionless personality ("calm" she calls it, putting it in the best light). Forced as a child into a voyeur's role by her exhibitionist parents, Jennifer becomes an unwilling dominatrix. One day a ghost-like fellow with a greenish glow materializes in the vacant room of the house she shares with two other housemates who turns out to be Savinien de Cyrano de Bergerac reincarnated--no, not the character with the big nose from the play, but the real, historical person. Jennifer finds herself in a sad, cerebral--and yes, physical--romance with a 300-year-old man of honor, who is no more of a misfit in late-20th-century society than is she. A poignant and thought-provoking novel; highly recommended.
-Reba Leiding, James Madison Univ., Harrisonburg, VA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
2 of 4 people found the following review helpful.
So I Am Glad-So I am disappointed
By Dale Smith
I purchased this book because I thought the premise was interesting, and it sounded like an interesting read. On opening the book however, I found it tedious and erratic. I couldn't help thinking that instead of writing it in first person, it should been written in third person narrative. It's hard to find the characters likable when you are always confused about who is speaking.
42 of 42 people found the following review helpful.
Old fashioned romantic love comes to modern Glasgow
By A Customer
This book is one of the finest novels I've ever read. A wonderful premise
with characters I believed in and cared deeply about. With funny,
insightful, courageous writing as well.
So I am Glad is a somewhat gritty Magical Realist story set in modern day
Glasgow. It is about an emotionally damaged woman named Jennifer whose
life begins to change when a man with amnesia unexpectedly appears in her
apartment one day.
That in and of itself would make for a decent premise. The beauty of
Kennedy's premise is that the man is Savinien Cyrano De Bergerac. Most
readers will only know Savinien from the play about him or the movies
based on the play. But he is indeed a real historical figure, a romantic
whose life revolved around duelling and writing and love.
One of the more interesting things about this book is how such a man,
mysteriously brought back to life 300 years after his death, would deal
with modern laws against violence and the apathy of modern people. Indeed,
a sub-theme running throghout the book is a commentary about political
apathy: Jennifer stops occasionally to rant about events from the news
that she announces for a living which anger her but which she feels
powerless to do anything about.
The core of the book, however, is about the relationship between Jennifer
and Savinien. Even though they fall in love with one another, their
relationship is slow to develop (very slow in the beginning) and suffers
horribly along the way.
There is a kind of dreadful symmetry about the two characters which
hinders their relationship. Both of them have personalities which help
them cope with their fear of being hurt by other people. Jennifer because
she was abused as a child. Savinien because his appearance led people to
mock him. Jennifer isolates herself from others emotionally, refusing to
feel love among other things, while Savinien needs other people to show
their love or respect for him. This is, of course, a recipe for disaster.
Jenifer inflicts pain during sex with someone (not Savinien) in order to
assert her invulnarability to and control over those people she allows
closest to her. Savinien used to duel to assert his invularability to and
control over those who would belittle himthese actions also gets in the way of their relationship to some extent.
Watching Jennifer and Savinien try to love one another when their own
neuroses and fears drive them apart is an intense, at times agonizing
experience. But ultimately it is an important and rewarding one. Which is
probablly something close to the author's intent, to show us why loving
others is so difficult and why it's so important to suceed.
0 of 0 people found the following review helpful.
An unusual and original love story..
By Joseph
From my point of view, this is a story about a detached woman, who falls in love with a man, who essentially doesn't exist, which psychologically is a perfect situation for an angry woman, who doesn't seem to possess the ability to love. On the other hand, the book at times, was very fluid with glimpses of good insight on the evolution, or lack there of, human behavior.
Several times while reading this book, I found myself a bit lost with it's sequence of events, some of which didn't seem fully explained to me, most importantly, why or how this man, Cyrano got to point b, back into this world. It also seemed odd to read smatterings of political ideologies from the main character, Jennifer, who herself remains an enigma without a cause.
Overall, I'm left in the middle about this one. I enjoyed reading the well written prose but couldn't find myself buying into the storyline.
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