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A treasure trove of World War II-era political cartoons by the creator of The Cat in the Hat. For decades, readers throughout the world have enjoyed the wonderful stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know Geisel's work as a political cartoonist for the New York daily newspaper PM during World War II. In these trenchant cartoons, Geisel captured the Zeitgeist--especially the attitudes of the New Deal liberals who read PM--with signature Seussian flair. Dr. Seuss Goes to War features handsome, large-format reproductions of almost 200 of the best of Geisel's cartoons from this time. The cartoons savage Hitler, Japan, Stalin, Mussolini, and "isolationist" leaders such as Charles Lindbergh. They exhort readers to give full support to the war effort, put up with shortages, buy U. S. savings bonds, and help control inflation. They are sharply critical of anti-Semitism and anti-black racism--and, shockingly, undeniably racist in their portrayal of Japanese Americans. An introduction and commentary by Richard H. Minear, historian of the era and author of Victors' Justice, place them in context and illuminate the national climate they reflect. Lovers of Dr. Seuss will take renewed delight in his whimsical and imaginative illustrations even as they may be disturbed by the attitudes reflected in some of his work. Those for whom World War II is an abiding passion will find a brand-new look at the war and American involvement. And those concerned with American attitudes--particularly in the press--will find that Dr. Seuss's cartoons of 1941 and 1942 bring back to life the mood and the issues of the day.
- Sales Rank: #104223 in Books
- Brand: Brand: New Press, The
- Published on: 1999-10-01
- Original language: English
- Number of items: 1
- Dimensions: .98" h x 9.41" w x 9.38" l, 1.88 pounds
- Binding: Hardcover
- 272 pages
Features
- Used Book in Good Condition
Amazon.com Review
Before Yertle, before the Cat in the Hat, before Little Cindy-Lou Who (but after Mulberry Street), Dr. Seuss (Theodor Geisel) made his living as a political cartoonist for New York newspaper PM. Seuss drew over 400 cartoons in just under two years for the paper, reflecting the daily's New Deal liberal slant. Starting in early 1941, when PM advocated American involvement in World War II, Seuss savaged the fascists with cunning caricatures. He also turned his pen against America's internal enemies--isolationists, hoarders, complainers, anti-Semites, and anti-black racists--and urged Americans to work together to win the war. The cartoons are often funny, peopled with bowler-hatted "everymen" and what author Art Spiegelman calls "Seussian fauna" in his preface. They are also often very disturbing--Seuss draws brutally racist images of the Japanese and even attacks Japanese Americans on numerous occasions. Perhaps most disturbing is the realization that Seuss was just reflecting the wartime zeitgeist.
Dr. Seuss Goes to War marks the first time most of these illustrations have appeared in print since they were first published. Richard H. Minear's introduction and explanatory chapters contextualize the 200 editorial cartoons (some of whose nuances might otherwise be lost on the modern reader). Those who grew up on Seuss will enjoy early glimpses of his later work; history buffs will enjoy this new--if playful and contorted--angle on World War II. --Sunny Delaney
From Library Journal
Few fans of Dr. Seuss's whimsy are likely to be aware that before authoring The Cat in the Hat Theodor Seuss Geisel penned editorial cartoons for the New York daily PM. This new collection presents approximately half the newspaper cartoons that Geisel drafted for the pro-New Deal paper from the start of 1941 (when his main targets were the isolationists who opposed U.S. intervention in European and Asian affairs) until 1943 (when he accepted a commission in the U.S. Army). Minear (history, Univ. of Massachusetts) has done a fine job of selecting, arranging in thematic order, and providing historical commentary for these cartoons, which are full of Geisel's expected visual wit; seeing the early development of his eccentric animal menagerie is a special treat. As Art Spiegelman notes in his introduction, Geisel's Uncle Sam seems to have been practice for what would become the Cat in the Hat. "The prototype for the cat's famous headgear is actually...Uncle Sam's red-and-white-striped top hat! The Cat in the Hat is America!" writes Spiegelman. Recommended for larger libraries.AKent Worcester, Marymount Manhattan Coll., New York
Copyright 1999 Reed Business Information, Inc.
Review
A fascinating collection. -- The New York Times Book Review, Peggy Constantine, 9 January 2000
A revelation. -- People, Harry Bauld, 15 November 15 1999
A shocker - this cat is not in the hat! -- Studs Terkel
Fascinating stuff... provides a provocative history of wartime politics. -- Entertainment Weekly, Margot Mifflin, 5 November 1999
Minear has collected over 200 of these rare cartoons and provided a fascinating historical and sociological context for them. It's an amazing piece of scholarship...I've been reading the various Seuss books to my children for several years now and, like them, I've become a big fan of the good doctor. This book offers another and not wholly flattering look at the legendary cartoonist and, while I won't be sharing it with my kids just yet, it's a welcome addition to my library. I recommend it highly. -- Tony Isabella, Tony's Online Tips, 11 January 2000
This is scathing, fascinating stuff, and with Minear's commentary, it provides a provocative history of wartime politics. -- Entertainment Weekly, Brian M. Raftery, 5 November 1999
Most helpful customer reviews
0 of 0 people found the following review helpful.
An unexpected find
By D. Andrew Kille
The book is a collection of cartoons by Theodore "Dr. Seuss" Geisel in the period up to and just following the US entry in to WWII in December of 1941. Full page versions of the cartoons are accompanied by a detailed commentary by Richard Minear, retired professor of history at UMass Amherst. It's an intriguing collection, demonstrating many of the styles and characters that Seuss developed in his children's books (he had already published several, like "To Think That I Saw It On Mulberry Street," "The 500 Hats of Bartholomew Cubbins," "Horton Hatches the Egg," and "The Seven Lady Godivas"), and a more pointed and political kind of commentary that informed his later work but was much less vocal. Well worth a look for (adult) fans of Dr. Seuss who also have an interest in history and the WWII era.
0 of 0 people found the following review helpful.
A True Eye Opener
By Autumn Sky
Like most people, I grew up reading Dr. Seuss books and I read them to my kids. It's odd to see the familiar drawings dealing with such grim material, but it gave me a better idea how he became such a wise author and why so many of his stores have that evil-gets-you-no-where theme. All wars are terrible, but WWII will always stand out as one of the most tragic and evil chapters in human history and this author saw it all and understood it. This book gave me a greater understanding of how badly Dr. Seuss wanted to teach very young children how to get along, be fair, overlook differences and just learn to live and accept other so that there will be no more wars, no more discrimination. The social messages of The Sneeches, Yertle the Turtle, The Lorax, Horton Hears a Who, etc. now mean so much more to me. I am looking forward to being a grandmother so that I can read these stores again...And this time give deeper and very different answers to what it all means.
0 of 0 people found the following review helpful.
Meh...
By Ctwink
Pictures are great and interesting window into Dr. Seuss' wartime work, but the encyclopedic style of the text is pretty dry and uninteresting. Since I understood the context of most of the pictures, I found myself only referring back to the footnoted sections of the book that covered the pictures that I need more info on. If the text wasn't footnoted to key into the individual images, this would be a 1-star review. As it is, I'm not sure this book is applicable for any but the most die-hard Seuss fans or those interested in wartime propaganda editorials.
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