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Sabtu, 28 April 2012

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The Encyclopedia of Human Behavior: Psychology, Psychiatry, and Mental Health (Volume One), by Robert M. Goldenson

  • Sales Rank: #5625695 in Books
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Every Last Word, by Tamara Ireland Stone

New York Times Bestseller

If you could read my mind, you wouldn't be smiling.

Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off.

Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist.

Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.

  • Sales Rank: #19604 in Books
  • Brand: Stone, Tamara Ireland
  • Published on: 2015-06-16
  • Released on: 2015-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.25" w x 5.88" l, .0 pounds
  • Binding: Hardcover
  • 368 pages

From School Library Journal
Gr 8 Up—Sixteen-year-old Sam spends her summers training at the private club pool, working to earn the county title and a college scholarship. Her school-year counterpart, Samantha, is tied to a toxic group of popular besties-for-life, trying to keep her Purely Obsessional OCD a secret. Running with a crowd who takes hostile notice of every social misstep, every misapplied bit of makeup, and any move that is less than normal, keeping her diagnosis a secret is not easy. Out of the blue, Samantha meets Caroline, who introduces her to a secret society called the Poet's Corner. Slowly, Samantha begins to discover how she can remain Sam and be true to herself outside of summer and the pool, and even trust the cute musician AJ enough to fall in love with him. Just when Sam begins to feel confident in herself, the very thing that helped her feel normal is what ultimately makes her question her sanity. Approached in a very respectful and informative manner, this story of coming to terms with a difficult diagnoses and being less-than-normal is in no way didactic. While the beginning is slow and requires some suspension of disbelief, the climax and resolution are resounding enough to rise above any shadows of doubt. VERDICT While the story's romance falls almost too easily into place, this title will do well in libraries where Sarah Dessen and Stephanie Perkins are in high demand.—Brittany Staszak, St. Charles Public Library, IL

Review
"Clueless meets Dead Poets Society with a whopping final twist." - Kirkus Reviews

"A thoughtful romance with a strong message about self-acceptance, [this] sensitive novel boasts strong characterizations and conflicts that many teens will relate to. Eminently readable." - Booklist

"A brilliant and moving story about finding your voice, the power of words, and true friendship. I couldn't put it down " - Elizabeth Eulberg, Author of The Lonely Hearts Club

"Brilliant, brave, and beautiful." - Kathleen Caldwell, A Great Good Place for Books

"A riveting story of love, true friendship, self-doubt and self-confidence, overcoming obstacles, and truly finding oneself." - Melanie Koss, Professor of Young Adult Literature, Northern Illinois University

"Romantic, unpredictable, relatable, and so very enjoyable." - Arnold Shapiro, Oscar- and Emmy-winning Producer

"Characters to love and a story to break your heart. Readers will want to turn page after page and read every last word. Then do it all over again." - Marianne Follis, Teen Librarian, Valley Ranch (Irving) Public Library

About the Author
TAMARA IRELAND STONE is the author of the New York Times bestseller, EVERY LAST WORD, a story about a teen with OCD who discovers a secret poetry club that changes her life in unexpected ways.

Stone is also the author of TIME BETWEEN US, which has been published in over twenty countries, and its companion novel, TIME AFTER TIME. The series follows a teen time traveler from present day and a girl in 1995 he can't seem to leave in his past.

A former Silicon Valley marketing executive, Stone enjoys skiing, traveling, and going to concerts. She lives in the San Francisco Bay Area with her husband and two children.

Listen to playlists and learn more about her books at tamarairelandstone.com.�

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15 of 15 people found the following review helpful.
Review for Every Last Word by Tamara Ireland Stone
By Alyssa
***Review posted on The Eater of Books! blog***

Every Last Word by Tamara Ireland Stone
Publisher: Disney-Hyperion
Publication Date: June 16, 2015
Rating: 4 stars
Source: ARC sent by the publisher

Summary (from Goodreads):

If you could read my mind, you wouldn't be smiling.

Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off.

Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist.

Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.

What I Liked:

I'm actually surprised by how much I liked this one. I didn't really know what to expect. I've never read any of this author's books, and I actually never read the synopsis of this book before reading it. I got it from the publisher and decided to read it on a whim, because a bookseller I follow read it insanely early and could not stop raving about it! So I figured the awesome package from Disney-Hyperion and BHM was a sign - read this book!

Sam was diagnosed with OCD - specifically, Pure-Obsessive OCD. She takes medication to help her focus her thoughts and to sleep, she sees a psychiatrist once a week, she's trying to be normal, day by day. None of her friends know about her condition, and Sam has always struggled with this. One day, she meets a really nice girl named Caroline, who introduces her to the Poets Corner, a secret meeting of a group of student who write and share poetry and songs. Sam joins them and begins to channel her tornado thoughts into her poetry, swimming, and a cute boy in the Poets Corner. She's doing better than she has been in years... until a realization threatens to bring everything crashing down.

This is a tough-issue contemporary novel, one that theoretically, I should never have picked up. I really do NOT like tough-issue contemporary novels. YA contemporary in general, I'm not a fan. But tough-issue contemporary novels? I tend to run in the other direction. Sprint, really. But this book was different. It wasn't entirely woe-is-me, angst, whining and complaining. Not saying every tough-issue contemporary novel is like that, or that that is my only probably with tough-issue contemporary novels. But often, the protagonist of a tough-issue contemporary novel is very selfish and annoying in her complaining and angst, and I hate it.

Sam is different. I couldn't entirely relate to her (we all say we have "OCD" but that is not the case at all), but I could empathize. I could clearly see what was going through Sam's head, how she was thinking, what she was thinking, how it was affecting her mentally, physically, emotionally. I really liked Sam, from start to finish. I have a poor history with protagonists with mental illnesses/conditions (probably because I avoid books with these conditions/illnesses like the plague - they make me entirely too heartbroken or sad).

I love the progression of Sam's character. This is the most important part of the book, and Stone really nails the characterization as well as the progression of Sam's condition and how she is dealing with OCD. Sam goes from being a girl who is scared of people knowing about her condition, to a girl who learns to own it and be who she is, surrounding herself with people who know about her condition and support her.

I think Stone really did her research and represented OCD extremely well. I don't have OCD nor do I know much specifically about the illness, but it's obvious that Stone has done her research. It's obvious that Stone knows what she is talking about. There is minutiae that is so incredibly important to this story, small details that make it all the more genuine and authentic.

There is romance in this book! I was a bit surprised by how important the romance ended up being. It doesn't really take root until about midway through the book, but that was perfect, in my opinion! I like how Sam and AJ already had history (not romantic history), and Sam had to remember how she knew him. I like how they had to work to become friends, and then they became more than friends. Their relationship is beautiful and simple, yet intricate and complex. I loved watching them fall for each other! AJ is a great guy, and I couldn't see anyone else for Sam.

There are other relationships in this book that are explored - friendships, I mean. Sam makes a new friend, Caroline. Caroline pushes Sam to find the Poets Corner, and pretty soon, Sam has new friends that accept her with little question. Sam's current friend group are the popular girls, the ones that everyone looks toward. They're nice, but some of them are Mean-Girls-esque. It's interesting to see Sam balance both groups of friends.

The twist coming up towards the climax is INTENSE. Seriously, I had chills. Well done, Stone. I had no idea! I had some idea that something wasn't right - but I had no idea that it would be THAT. None, whatsoever. I still have chills! It was really eye-opening. Seriously well-written climax, and ending. I love the ending of this book! It's very inspiring and uplifting. For a non-contemporary fan to say such great things about this book - it must be good!

What I Did Not Like:

I can't really think of anything at the moment - which is a surprise! There is usually something in a contemporary novel that bothers me (in EVERY novel, but especially contemporary). No book is perfect, but I liked this one a lot!

Would I Recommend It:

I would totally recommend this novel! I've been reading a lot of contemporary in the last few days, and I definitely can't say I'd recommend all of them... I'd recommend P.S. I Still Love You by Jenny Han because of its strong familial themes and great relationships (romance and otherwise), and I'd recommend this one for its subject matter (on mental illnesses). Definitely two very different contemporary novels, but both very worthy of your time!

Rating:

4 stars. I am impressed! It takes a lot to impress me in general, but definitely in terms of contemporary! I'll definitely be reading more of Stone's books in the future - and I want to read her debut series now!

10 of 11 people found the following review helpful.
EVERY LAST WORD
By Michelle (Adventures in Bookland )
I work in special education and I see a lot of different children with different needs. I always thought that there should be more books that explore both mental illness and learning disabilities; I think that’s why I jumped at the chance to read this story.

I thought this story was written in a very respectful way to children/ teens that deal with mental illness. I felt as though this story touched upon many different issues like; depression, anxiety, the pressure of high school and fitting in.

All the characters were likable (except a couple of the crazy eights). I loved Sam, AJ and Caroline and the rest of the kids in the Poet’s Corner. Each of them was dealing with their own issues and found their outlet in poetry and songs.

I also liked the fact that there were some things that completely surprised me! I was not expecting something that happened in the end and ended up being perfect.

I do think this is a great book for teens to read maybe they can find a part of themselves in one of the characters.

6 of 6 people found the following review helpful.
Loved this!
By Kelly
Let me start by saying that Disney-Hyperion is fast becoming one of my favorite publishers. I can’t recall reading a book of theirs that I didn’t enjoy. It’s gotten to the point where I request their titles on blind faith, even if the description doesn’t sound like my style, and their books still satisfy me.

This book was no exception. Sam is an excellent character, terribly, painfully introspective at times but with so much promise. There were times I felt frustrated by her. “Really?” I wanted to say. “You’re having a panic attack over that?” But isn’t that the thing about people? One person’s mountain is another person’s molehill, and this book captures that perfectly.

I loved Sam’s relationship with her mom, the way that the inside of her mind is almost the exact opposite of the rest of her, and how she struggles to match her lifestyle to her true self over the course of the book. There are some excellent depictions of OCD in here, and Sam’s relationship with Sue (her therapist) is one of the most special ones in the book. It’s touching and heartbreaking to hear Sam wonder what it’s like to be “normal” and to find someone who will love her, “broken brain” and all. My eyes filled with tears as I saw how lonely she was and how hard it was for her to finally embrace her brain for its strengths while fighting against its weaknesses. I saw so much of myself in her, and it was heartbreaking at times but also so amazingly accurate and true and real.

One of my favorite quotes:

"And I want to stop, but I can’t, because telling someone with OCD to stop obsessing about something is like telling someone who’s having an asthma attack to just breathe normally."

Also, can we talk about AJ for a minute? What a beautiful character. Are there really boys like this in high school? Because I’m pretty sure they only reside on the pages of YA novels — though I will try my damnedest to raise two boys as sensitive and considerate as this one was. He is a thoughtful, adorably-scruffy, guitar-strumming poet. I mean, seriously. How could Sam not obsess over him?! He’s not perfect, though, and I think I appreciated that most of all.

The only thing about this book that I didn’t like [MINOR SPOILER, I GUESS] was the sex scene. And no, it’s not the fact that there were high school kids having sex, even though I was most certainly not having sex in high school. It’s the fact that a girl who can never turn off her brain, who obsesses over everything, has sex and doesn’t think about it or analyze it at all. It happens and then isn’t really mentioned for the rest of the book It didn’t seem in keeping with the character and made me wonder what the purpose of that scene was. It felt sort of thrown in there, and I could have done without it because it didn’t seem to affect the rest of the story at all.

All in all: This is one of those rare books that I received as a free review copy that will go on my “To-Buy” list. It was just wonderful, and I can’t wait for it to hit shelves so that other readers can get their hands on it.

Note: I received a review copy of this book via NetGalley.

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Interested in learning how to hack but don't know how to begin?

Hacking Made Easy 1 will guide you through the process of hacking with some practical applications and prepare you for the second book Hacking Made Easy 2, where you will learn extremely useful hacking techniques such as how to hack a Facebook account, Wi-Fi password & even how to safeguard your very own WordPress site, which is a very important thing to know.

What can you expect to learn:

This book contains proven steps and strategies on how to become a true hacker novice. This book is not all inclusive by any means. The first half of the book is dedicated to educating you on what hacking is, clearing up truth from fiction, bringing you up to speed on what to expect and giving you an overall picture of what the world of hacking is all about.

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As you will come to learn there is a lot more to hacking than stealing data and electronic mischief. It is our hope you'll find the following information useful and entertaining, but here and now I'm going to hit you with a disclaimer. Do not start this book with the expectation that upon completion you will be a hacker.

  • Sales Rank: #85183 in Audible
  • Published on: 2016-09-23
  • Format: Unabridged
  • Original language: English
  • Running time: 94 minutes

Most helpful customer reviews

4 of 4 people found the following review helpful.
Full of errors, misspellings
By Gavin
Not worth the 2.99 I paid. Terribly written with tons of misspelled words and odd sentence syntax that made it hard to read. Sections of the "book" read like an advertisement for software.

The book has less valuable information on hacking than the Wikipedia article on the same topic. "Hacking" in this book simply refers to downloading and using software from the Internet.

Really disappointed.

1 of 1 people found the following review helpful.
I have no interest in becoming a hacker.
By Bert Smith
Computers are embedded in our society. They are at almost all levels from the personal to businesses and in devices such as automobiles and watches. With this comes connections to networks spanning the globe making information in all forms and from a wide variety of sources available in near real time. This is accompanied by vulnerabilities. Hacking is one of these vulnerabilities and it is major. HACKING: Hacking Made Easy 1 describes in easy to read detail what hacking is about and clearly illustrates why it is in our best interest to be aware of the dangers we face and why it is incumbent on us to take steps to minimize these dangers.

2 of 2 people found the following review helpful.
A book that stirs your heart to becoming one, either good or bad hacker.
By Josh Carlson
This book is a great start for a greener pasture in the world of internet. Hacking is my very favorite thing to do however I'm not like black hat hackers rather white hat one. This is an easy to understand book about hacking and the backgrounds of the types of hackers. A book that stirs your heart to becoming one, either good or bad hacker. It only matters on your choice.

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Senin, 23 April 2012

[X497.Ebook] Download Guitar Methods, 1760-1860: An Annotated Bibliography (Organologia: Instruments and Performance Practice) (Organologia: Musical Instruments

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Guitar Methods, 1760-1860: An Annotated Bibliography (Organologia: Instruments and Performance Practice) (Organologia: Musical Instruments

This comprehensive bibliographical study describes more than 300 different methods for guitar by some 200 authors. A large number of publications are recorded here for the first time. The book is the result of extensive research visits to numerous libraries in Europe and the USA, as well as many important private collections.

The bibliography covers a period of about a hundred years, beginning with the earliest guitar methods written in staff notation and published in Paris shortly before 1760. During the following century, above all in France, more instruction books were written for the guitar than for any other instrument. In addition to the works of well-known guitarists such as Aguado, Carcassi, Carulli, Giuliani, and Sor, methods by a great number of lesser-known (or completely unknown) authors are included. For several of those guitarists the writer has provided new information about their life and work.

The catalogue provides complete transcripts of the original title page, thus enabling the reader to make comparisons with other existing exemplars. All known variants (later issues, and later authorized as well as pirated editions) are described, and all known locations listed. An important subentry to each record discusses the dating of the publication; this makes the book particularly valuable. In addition, there is a brief description of the contents of each method, and of how it relates to other works by the same author, or to those by other authors. Further bibliographical details such as the identification of publisher, printing technique, etc. are also presented. Thus this book is an invaluable resource not only to the historically-interested guitarist, but also to a wide audience of music librarians, bibliographers, musicologists and others engaged in the study of music printing and publishing in the late eighteenth and early nineteenth century.

  • Sales Rank: #2996471 in Books
  • Brand: Brand: Pendragon Pr
  • Published on: 2010-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x .50" l, 1.10 pounds
  • Binding: Paperback
  • 207 pages
Features
  • Used Book in Good Condition

About the Author
Erik Stenstadvold is a guitarist and a noted authority on nineteenth-century guitar music and performing practice. His extensive research has led to the rediscovery of many lost or forgotten guitar compositions from that period. He has played an important role in the revival of the French guitarist-composer Antoine de Lhoyer, been adviser and co-editor of other editions of nineteenth-century guitar music, and written a number of scholarly articles in various journals. He is also a contributor to the New Grove. Erik Stenstadvold was born in Oslo in 1948. He studied the guitar with John Williams at the Royal College of Music, London, and the lute with Eugen Dombois, Basel. He received his musicological training at the University of Oslo. Stenstadvold is Professor at Norwegian Academy of Music, Oslo, where he teaches the guitar and courses in general performing practice.

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1 of 1 people found the following review helpful.
A valuable scholarly resource for music librarians, historically authentic guitarists, musicologists and others
By Midwest Book Review
"An Annotated Bibliography of Guitar Methods, 1760-1860" is number 4 in a series titled Organologia: Musical Instruments and Performance Practice, edited by Ardal Powell. "An Annotated Bibliography of Guitar Methods..." presents comprehensive listings of known methods publications first listed chronologically by country, including England, France, Germany, Austria (Vienna), Italy, Portugal, Spain and the U.S.A., during the time periods specified. These listings by country include author, shortened title, and date of publication, with occasionally some other brief information. This is followed by complete alphabetical bibliographic listings of publications, each of which includes complete transcriptions of the title pages, the dating (probable in some cases) of the publication, a brief description of the contents of the guitar teaching method plus further details of interest such as publisher identification or later editions released in other locations. The "Annotated Bibliography of Guitar Methods, 1760-1860" contains over 300 records of different methods for guitar by 200 authors. Some are well known, but others are more obscure. Some are presented in this collection for the first time in recent history. "An Annotated Bibliography of Guitar Methods, 1760-1860" is a valuable scholarly resource for music librarians, historically authentic guitarists, musicologists and others who study the printing and publishing of music in 18th and 19th centuries.

0 of 0 people found the following review helpful.
a must-have
By er_risi
Its a must-have book for any guitar teacher.

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Sabtu, 21 April 2012

[C938.Ebook] PDF Download Mapping Murder: The Secrets of Geographical Profiling. David Canter

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  • Published on: 1709
  • Binding: Paperback

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[N268.Ebook] Download Pulpito: An Introduction to Hispanic Preaching, by Justo L. Gonzalez, Pablo A. Jimenez

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Pulpito: An Introduction to Hispanic Preaching, by Justo L. Gonzalez, Pablo A. Jimenez

In this, the only book available that addresses the distinctive issues and character of preaching in the Hispanic congregation, the authors discuss important historical, theoretical, and methodological issues in Hispanic homiletics. Includes ten sermons.

  • Sales Rank: #1217270 in Books
  • Published on: 2005-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .36" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 152 pages

About the Author
Rev. Dr.�Pablo A. Jim�nez,�Consultant Editor for Chalice Press.

Pablo A. Jim�nez es ministro ordenado de la Iglesia Cristiana (Disc�pulos de Cristo). Ha servido como pastor, misionero, profesor en seminarios y administrador de la iglesia. El Christian Theological Seminary en Indianapolis, IN, le otorg� su Maestr�a en Sagrada escritura y Columbia Theological Seminary, en Dacatur, GA, su D.Min. Actualmente sirve como Pastor nacional para Ministerios Hispanos de la Iglesia Cristiana. Es autor de Introducci�n a los Ministerios Juveniles, Palabras duras, Principios de Predicaci�n, y de cap�tulos y art�culos publicados en diferentes libros y medios.



Justo L. Gonz�lez has taught at the Evangelical Seminary of Puerto Rico and Candler School of Theology, Emory University. He is the author of many books, including Church History: An Essential Guide and To All Nations From All Nations, both published by Abingdon Press.�

Justo L. Gonz�lez es un ampliamente le�do y respetado historiador y te�logo. Es el autor de numerosas obras que incluyen tres vol�menes de su Historia del Pensamiento Cristiano, la colecci�n de Tres Meses en la Escuela de... (Mateo... Juan... Patmos... Prisi�n... Esp�ritu), Breve Historia de las Doctrinas Cristianas y El ministerio de la palabra escrita, todas publicadas por Abingdon Press.

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2 of 2 people found the following review helpful.
Review of Pulpito
By David Packer
Overall a good, thorough, and helpful treatment of the subject. It does cover important information and gives a good historical and cultural explanation for why things are the way they are.
A small weakness is that it does not really explain the multicultural aspect of American life, or the theological and church perspective the assimilated American Hispanic has. Perhaps that is out of the range of the book, but it would be an interesting subject to deal with.

Book Summary of Pulpito: An Introduction to Hispanic Preaching,
Written by Justo L. Gonzalez and Pablo A. Jimenez

Chapter 1: Building the Pulpito

The Hispanic population of America is highly influenced by the immigration of Spanish speaking peoples from Central and South Americas. The homiletic theory has been shaped by numerous preaching books used in these cultures, some of which are translations of texts used in the United States.

1. First Stage: Transculturation

In the 19th Century Britain and the United States provided the largest numbers of missionaries serving in Latin America. Prior to this missionary activity was illegal in most nations. Protestant Christianity did not become well established until the 20th Century. The first manuals on preaching were translations from English. The most popular of these books were:

• Charles H. Spurgeon: Lectures to My Students – Spurgeon’s focused mainly on molding the character of his students
• John A. Broadus: On the Preparation and Delivery of Sermons – Broadus’ book is arguably one of the finest books on the subject of developing speeches to instruct and persuade. It reminded the Hispanic population of the Spanish estilistica, techniques for oral and written expression they had learned in school. It appeals mostly to the well educated
• John W. Blackwood: The Preparation of Biblical Sermons �–Blackwood’s emphasis was on expository preaching and, like Broadus, appealed mostly to the well educated.
• James D. Crane: El sermon eficaz – though originally written in Spanish it was mainly a simpler re-elaboration of Broadus’ approach.

Only the last was originally written in Spanish, but then it was written by a missionary from the United States.

2. Second Stage: Inculturation

The well-educated pastors were helped by these four influential books. However, most pastors in Latin America had barely an equivalent of a high school education. The popular styles of sermons developed among the less educated pastors were extemporaneous expositions of a biblical passage.

• The narrative sermon – telling a story and commenting on it as it is being told
• The “reference/concordance” sermon, where the preacher quotes a string of biblical verses as proof texts – definitely topical preaching style
• The testimonio, where the preacher narrates and interprets theologically an episode from their life.

There was some conflict between these styles, with some of the less educated pastors accusing the more educated style of preaching as void of the power of the Holy Spirit. Crusade evangelism also influenced a popular style of preaching.

Angel Mergal emphasized preaching as an art form. Orlando Costas brought into consideration insights from speech and mass communication. Other Hispanic writers, namely Osvaldo Mottesi and Cecilio Arrastia, began to interpret preaching with a decidedly Latin outlook.

3. Third Stage: Contextualization

The Hispanic preaching in the last three decades has taken on a distinct contextual or political theology, influenced by the Hispanic social condition and its marginalization. Hispanic preaching takes into account the community and identifies with its suffering and its experiences.

4. The Road Ahead

The Hispanic community has developed a homiletic theory that is centered on function and content, not on traditional sermon design. If Christian preaching is indeed the theological interpretation of life, the aim of Hispanic preaching must then be the theological interpretation of the Latin experience. “Beyond teaching parishioners the rudiments of the Christian faith, the aim of Hispanic preaching must be helping the Latino community to develop and maintain their cultural identity, even as such identity is modified by the experience of living permanently in the United States. The pulpito should also equip the Hispanic community to resist the social manifestations of evil that try to destroy the Latino people through racism, sexism, xenophobia, and classism. In a word, it is our conviction that, through the pulpito, God seeks to empower Hispanics to persevere and prevail in their …struggle for life.”

[My notes: the influences of culture can be seen above in the concern for the community (collectivism) and the perceived power of the pulpit to influence all of society (high power distance).]

Chapter Two: Issues at the Pulpito

Hispanic preachers have been trained in preaching methods that encourages repetition rather than creativity. “Many textbooks for biblical courses tell students what the Bible says, rather than teaching them how to read it with responsibility and creativity. The same is true of many of the textbooks of theology, whose purpose is to teach the student a list of orthodox doctrines, and the arguments to support them, rather than teaching how to think theologically.” Homiletics is also often taught in the same manner. The teaching is too objective and does not allow for subjective and personal understandings. Preaching also became too political and not biblical enough – they neglected the “wrestling with a text” that is part of the hermeneutical and preaching process. Hispanic pulpits tend to be dominated by fundamentalists and liberals – neither of which seeks a new word to deliver to their congregations.

Hispanics should see the Bible as a living word, not a dead document. They need the biblical authority and Christian freedom to allow the Bible to speak in a new way to a new situation.

The New Shape of Our Theology

The doctrine of incarnation implies that true Christian theology must be incarnate, it must take flesh in each culture and situation, in each time and circumstance – without denying the central truths of the faith. “Each of us must preach the gospel from our own perspective, and incarnate it in our own situation.”

A Theology that Is Ours – theology must be ours without ceasing to be universal.

A Theology of Affirmation – Rather than a theology and preaching that show the hearers their unworthiness. Instead people need biblical messages that lift them up in their estimation of themselves.

A Theology of Solidarity – [A long discussion on the issues of collectivism vs individualism.] “In the New Testament, however, the church is much more than a conglomerate of faithful individuals who gather in order to support and guide each other. The church is the body of Christ. The church is the manner in which Christ exists in the world.”

A Theology of Eschatological Subversion – a theology of hope

The Text That Interprets Us – “The reason why we interpret the text of Scripture is that in turn that text interprets us. What is ultimately most important is not what we find in the text, but rather that the text finds us – and even finds us out!”

“When I open the Bible in order to begin preparing a sermon, I fully expect, not just to discover in the text something I had not seen before, but also to see all those around me and myself under a new light. Biblical interpretation is not ultimately about the text, but about the community in which the interpretation takes place, and which in turn is interpreted by the living text.”

Other subtitles in the chapter deal with social, economic, and political issues, as well as immigration, exile, and identity. He urges that the pulpit should identify with the suffering of the people and the people in their sufferings.

Chapter Three: The Bible at the Pulpito (written by Pablo A. Jimenez)

A Brief Survey of Hispanic Hermeneutics

Three influential Hispanic theologians in this area:

Virgilio Elizondo, a Mexican American Catholic priest, during his studies in France, came to see Galilee as similar to Texas, a borderland, therefore, “Jesus’ life and ministry became an image for the struggles of the Mexican American people who live in the United States. The Mexican-American experience is understood, then, as a modern Galilean journey.”

Orlando Costas, taught at Latin American Biblical Seminary in San Jose, Costa Rica. He also saw a correlation between the Hispanic experience in the United States and the Galilean experience of Christ.

Justo L. Gonzalez , an historical theologian, proposed a methodology for reading the Bible in Spanish, and popularized the idea through his book, Biblia: The Bible through Hispanic Eyes.

Other theologians also advanced certain concepts:

Fernando Segovia, a Cuban-American Catholic scholar, advanced a “post” colonial reading, that “recognizes that we live in a world shaped by centuries of Anglo-European political and cultural hegemony.” “This explains the critical presence of ever increasing minority groups in the United States and Western Europe. It also explains the ethnic struggles in Eastern Europe and Russia. Segovia employs postcolonial theory to interpret the condition of Hispanics in the United States, stating that we live in ‘diaspora.’ He then establishes a correlation between the Hispanic diaspora and the biblical images of exile, diaspora, and ‘otherness.’”

Ada Maria Isasi-Diaz, a Cuban-American Catholic scholar, emphasizes Hispanic feminism known as Mujerista Theology, searching for the “canon within the canon” approach to biblical hermeneutics, seeking to get beyond the message enveloped in patriarchal and hierarchical garb.

Gilbert Romero, Mexican-American Catholic, emphasized becoming “Apiru” – a legendary group that revolted in Egypt in 1500’s – suggesting that Hispanics should recognize their marginal status in society.

Francisco Garcia-Treto, a Presbyterian biblical scholar, wrote on contemporary Hispanic biblical hermeneutics, emphasizing the “interpretive community” – an interdenominational and intergenerational doing teologia en conjunto (collegial theology).

Harold Recinos wrote on reading the Bible from the perspective of the marginalized, exploring the meaning of the Bible for the Latinos and Latinas who live in the inner city barrios that continue to grow across the United States.

An Hispanic Hermeneutical Model

1. The Bible is a liberating text: “The life and struggles of the Hispanic American community, howsoever defined, have been anticipated in the life and struggles of the people of God in the Bible.”

2. A “reading of resistance”: Hispanic theologians call the Latino community to develop an alternative way of reading the Bible, normally calling into question the present social order in light of the reign of God.

3. The eschatological dimension: seen as a radical word of both judgment and hope.

Here is the model that Jimenez proposes:

1. Marginalization is the entry point: the first step is pondering the social situation of the Latino people in the United States. The experiences of marginalization, oppression, and discrimination endured by the Latino people serve as the point of entry to the liberating power of the Bible. “This grants Latinos and Latinas a unique access to the “core” of the biblical message.”

2. Seeking points of contact: With the above-mentioned social analysis at hand, we then read to seek in the Bible different points of contact between the social location of the Hispanic community and the biblical narrative.

3. After finding such points of contact, the model calls us to compare the social location of the Latino community and the social location of the Bible. “For example, I read a brief commentary on the dedication of Solomon’s temple. After sound historical analysis, the author ended by calling the readers to see their church buildings as places of encounter with God. In this case, the author correlated “temple” with “church building,” applying the ancient teachings to the modern edifices. This is the kind of reasoning that prompts preachers to say phrases like: “We are just like the children of Israel in the wilderness” and “Aren’t we just like Peter, John, and the rest of the disciples?” To see correspondences of relationship requires further biblical research, using sociological and anthropological analysis. An interpreter looks for the correspondence of relationships when he or she correlates biblical concepts with contemporary ones on the basis of their functions in society. The key question is: Which contemporary situation works in a way similar to the situation we see in this biblical text?”…This biblical reading does not yield formulas to be copied or techniques to be applied. It offers orientations, models, types, directives, and inspiration. The aim of such reading is to give us elements to be used as tools in the interpretation of both our current reality and the possibilities that the future will bring.

4. A key metaphor: Hispanic theology employs different metaphors to communicate the implications of the correlation between the social location of the text and the social location of the Latino community.

Chapter Four: Standing at the Pulpito (Justo Gonzalez)

Preaching as a Communal Event: “Hispanics do not see the sermon as a text, but rather as an event. Just as music written on a pentagram is not music until it is played, so words written in a manuscript do not become a sermon until they are preached. Although usually the manuscript is chronologically prior to the act of preaching, what makes a text be a sermon is not what is written, but rather that it is preached.” This event is communal in that it involves the preacher hearing the congregation as he preaches. The congregation is communicating to the preacher that it does or does not recognize the Word of God in the preacher’s words. There is a difference between elegance and eloquence. Elegance is the ability to create beautiful language. Eloquence is the ability to communicate with a congregation, a communication that must flow in both directions.

The Practice of Preaching from the Pulpito: The setting and delivery are not peripheral to the sermon, rather they are integral parts. Language, voice, and gesture are not mere adornments, but a constitutive element of the sermon.

Hispanic pastors preach frequently – often three or four times a week to the same congregation. There is hardly a service without preaching. It is also lengthy – forty minutes at a minimum.

The length of the sermon in Latino churches affects both its structure and its preparation. Latino sermons have more digressions, detours in the preaching to consider a related subject. A sermon may often lack clear coherence, taking three of more unrelated themes from a single biblical text. Hispanic preachers tend to be more dramatic than Anglo preachers.

Preaching in a Bicultural Setting: The Hispanic community in the USA is changing, and more and more of the people are becoming more comfortable in English and less in Spanish. Some preaching and singing is in Spanish and some in English. There is a sense though that the Hispanic will never be fully accepted and his last name cannot be ignored, so the Hispanic roots cannot be forgotten.

Class, Gender and Status in the Pulpito: The difference between clergy and laity is less marked. Many testimonies are given in the churches. “The best Hispanic preaching, however, relies on Scripture in a different way. It does not go to the Sacred Book as to a quarry for proof-texts, but rather deals seriously with an entire periscope, asking it to interpret the situation and the calling both of the preacher and congregation.” The services consist not only of words and ideas but also of emotion and to the senses, so that all may relate.

0 of 1 people found the following review helpful.
One Star
By Amazon Customer
I thought it would be in Spanish

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Senin, 16 April 2012

[W411.Ebook] Ebook My First Brain Quest, revised 4th edition: 350 Questions and Answers to Build Your Toddlers Word Skills, by Chris Welles Feder, Susan Bish

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My First Brain Quest, revised 4th edition: 350 Questions and Answers to Build Your Toddlers Word Skills, by Chris Welles Feder, Susan Bish

Brain Quest is beloved by kids, trusted by parents, used and recommended by teachers. It’s the curriculum-based, fast-paced, question-and-answer game that challenges kids on the stuff they need to know, when they need to know it. It’s the brand that says “It’s fun to be smart!” And it delivers.

For the fourth edition every deck is thoroughly revised and includes 20 percent new material. The content aligns with national and state standards and is overseen by the Brain Quest Advisory Board, a panel of award-winning educators, each a recent state teacher-of-the-year award winner or a recipient of the prestigious Milken Educator Award. The covers and cards have a refreshed design, giving Brain Quest a cooler, updated look.

  • Sales Rank: #1886 in Books
  • Brand: Brainquest
  • Published on: 2012-05-01
  • Released on: 2013-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.44" h x 1.94" w x 2.75" l, .60 pounds
  • Binding: Cards
Features
  • Used Book in Good Condition

From the Back Cover
It's O.K To Be Smart!

Join a little monkey named Max on his fun-filled day and watch your child's vocabulary blossom! Visit the zoo. Have fun at the circus. Celebrate holidays and learn all about animals. It's a game of questions in picture form that will help your child develop essential learning skills.

CURRICULUM-BASED!
TEACHER APPROVED BY THE BRAIN QUEST PANEL OF AWARD WINNING EDUCATORS.

About the Author
Chris Welles Feder has spent a great part of her life working in the field of education and is known to many as a writer for the children's educational series Brain Quest. She lives with her husband in New York City.

Most helpful customer reviews

43 of 44 people found the following review helpful.
My son has sensory processing disorder and has a language ...
By Zilona
My son has sensory processing disorder and has a language delay. I used these cards to help him increase his vocabulary and talk in sentences. The cards have different scenes where Max, the monkey, is doing something. For example, if there is a picture of Max in a car, I would ask: What is Max doing? And my son would respond: Sitting in the car. I would then prompt him to say it in a sentence: Max is sitting in the car. He's doing so well with speaking in sentences now.

1 of 1 people found the following review helpful.
My 20 month old loves it!
By Cathy Lee
Bought these to entertain my 20 month old son in the car when I'm in the backseat with him and my husband is driving. He loves them!! He can answer most of the questions in the decks but also has learned some new things. He hates car rides but he has fun learning with Max the monkey! As soon as I show it to him he excitedly yells "Max!" :)

20 of 23 people found the following review helpful.
Teacher Review. Great for my very active 2 1/2 year old with little to none attention span! Here is why:
By Jessica M.
I bought these for my 2 1/2 year old son. He recently was use to going to daycare but now I am staying at home with him. He has learned so much at daycare that I want to continue teaching him at home. Also he is very active and has a very short attention span. You may say that is normal for this age but he is more so than other children his age. He won't even sit down to watch any kind of TV. He's always on the move trying to take something a part, climb something or get into something he shouldn't. But he will sit down long enough to go through most of the cards in this deck! He loves talking about and looking at the activities that Max does on these cards. These cards provoke conversations vs drilling concepts with questions. As a former teacher, these are great at developing meaningful learning. I feel the concepts are very age appropriate.

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My First Brain Quest, revised 4th edition: 350 Questions and Answers to Build Your Toddlers Word Skills, by Chris Welles Feder, Susan Bish PDF

My First Brain Quest, revised 4th edition: 350 Questions and Answers to Build Your Toddlers Word Skills, by Chris Welles Feder, Susan Bish PDF
My First Brain Quest, revised 4th edition: 350 Questions and Answers to Build Your Toddlers Word Skills, by Chris Welles Feder, Susan Bish PDF